The unique and promising Pablo Esbert Lilienfeld takes us in layers to an exponential, rhythmic, well-grounded and credible validation which places him close to those foundational artists from the New York seventies. This eccentricity, which affects the balance of the body, creates style; it is an open path ready to be explored.
Roger Salas. El País 24 Abril 2011
An analysis of time-linearity and the perception of discrete events in differentiated moments and places would be enough for a lot of philosophical thesis. In Pablo Esbert Lilienfeld’s work, let alone its design and realization, the interesting part is this philosophical approach.
We find here two complementary and very interesting topics, very well designed and performed. Each one has its secret in the mise-en-scene, and the performers know how to get advantage from them.
Julio Castro – laRepúblicaCultural.es 1st May 2011
The idea behind the futuristic performance EDIT is good: the challenge of the limits of the body in the cinema screen and the game between real life and the life projected on a television. Interesting role game and the multiplication of reality (real, rushed and projected).
Silvia Ferrari. Il Giornale di Vicenza
